Meditation is a skill, and practicing it should be enjoyable in the same way that mastering any other rewarding skill can be. Of course, saying that meditation should be enjoyable doesn’t mean that it will always be easy or pleasant. Every meditator knows it requires serious discipline to sit with long unpleasant stretches and untangle all the mind’s difficult issues. Approach difficulties with the enthusiasm that an artist approaches challenges with—the discipline becomes enjoyable and challenges are solved through your own ingenuity, and the mind is energized for even greater challenges.
This joyful attitude is a useful antidote to the more pessimistic attitudes that people often bring to meditation, which tend to fall into two extremes. On the one hand, there’s the belief that meditation is a series of dull and dreary exercises allowing no room for imagination and inquiry: Simply grit your teeth, and, at the end of the long haul, your mind will be processed into an awakened state. On the other hand there’s the belief that effort is counterproductive to happiness, so meditation should involve no exertion at all: Simply accept things as they are — it’s foolish to demand that they get any better — and relax into the moment.
While it’s true that both repetition and relaxation can bring results in meditation, when either is pursued to the exclusion of the other, it leads to a dead end. If, however, you can integrate them both into the larger skill of learning how to apply whatever level of effort the practice requires at any given moment, they can take you far. This larger skill requires strong powers of mindfulness, concentration, and discernment, but if you stick with it, it can lead you all the way to the Buddha’s ultimate aim in teaching meditation: nirvana, a happiness totally unconditioned, free from the constraints of space and time.
That’s an inspiring aim, but it requires work. And the key to maintaining your inspiration in the day-to-day work of meditation practice is to approach it as play: a happy opportunity to master practical skills, to raise questions, experiment, and explore. This is precisely how the Buddha himself taught meditation. Instead of formulating a cut-and-dried method, he first trained his students in the personal qualities — such as honesty and patience — needed to make trustworthy observations. Only then did he teach meditation techniques, and even then he didn’t spell everything out. He raised questions and suggested areas for exploration, in hopes that his questions would capture his students’ imagination so they’d develop discernment and gain insights on their own.
The Buddha taught his son Rahula, to observeboth pleasant and painful events in his body and mind without becoming engrossed in the pleasure or blown away by the pain. This is what patience is for. It helps you sit with things until you understand them well enough to respond to them skillfully.
To develop honesty in meditation, the Buddha taught Rahula a further exercise. Look at the inconstancy of events in body and mind, he said, so that you don’t develop a sense of “I am” around them—instead observe the events.
The key to develping a sense of honesty is to observe the results of your actions. Then, if you see the results aren’t good, you are free to change your ways.
This attitude is essential for developing honesty in your meditation as well. If you regard every thing — good or bad — that arises in the meditation as a sign of the sort of person you are, it will be hard to observe anything honestly at all. If an unskillful intention arises, you’re likely either to come down on yourself as a miserable meditator or to smother the intention under a cloak of denial. If a skillful intention arises, you’re likely to become proud and complacent. To avoid these pitfalls, you can learn to see events simply as events, and not as signs of the innate Buddha-ness or badness of who you are. Then you can observe these events honestly, to see where they come from and where they lead. Honesty, together with patience, puts you in a better position to use the techniques of meditation to explore your own mind.
The primary technique the Buddha taught Rahula was breath meditation. The Buddha recommended sixteen steps in dealing with the breath. The breath becomes a vehicle for exercising your ingenuity in solving the challenges of the mind, and exercising your sensitivity in gauging the results.
To begin, simply notice when the breath is long and when it’s short. In the remaining steps, though, you train yourself. In other words, you have to figure out for yourself how to do what the Buddha recommends. The first two trainings are to breathe in and out sensitive to the entire body, then to calm the effect that the breath has on the body. How? You experiment. What rhythm of breathing.Try thinking of the breath not as the air coming in and out of the lungs but as the energy flow throughout the body that draws the air in and out. Where do you feel that energy flow? Think of it as flowing in and out the back of your neck, in your feet and hands, along the nerves and blood vessels, in your bones. Think of it coming in and out every pore of your skin. Where is it blocked? How do you dissolve the blockages? By breathing through them? Around them? Straight into them? See what works.
The next step is to breathe in and out with a sense of refreshing fullness and a sense of ease. Here, too, you’ll need to experiment both with the way you breathe and with the way you conceive of the breath.
Then, when the breath is calm and you’ve been refreshed by feelings of ease and stillness, you’re ready to look at the mind itself. You don’t leave the breath, though. You adjust your attention slightly so that you’re watching the mind as it stays with the breath. Here the Buddha recommends three areas for experimentation: Notice how to gladden the mind when it needs gladdening, how to steady it when it needs steadying, and how to release it from its attachments and burdens when it’s ready for release.
To gladden the mind you can develop an attitude of infinite good will, or recollect the times in the past when you’ve been virtuous or generous. To steady the mind when it’s been knocked over by desire, you can contemplate ever changing nature of all phenomena. To reestablish your focus when you’re drowsy or complacent, you can contemplate death — realizing that death could come at any time.
As for releasing the mind from its burdens, you prepare for the ultimate freedom of nirvana first by releasing the mind from any awkwardness in its concentration. Eventually the mind grows so still that evaluating the breath is no longer necessary. So you figure out how to make the mind one with the breath, and in that way you release the mind into a more intense and refreshing state of ease.
As you expand your skills in this way, the intentions that you’ve been using to shape your experience of body and mind become more and more transparent. At this point the Buddha suggests revisiting the theme of inconstancy, learning to look for it in the effects of every intention. You see that even the best states produced by skillful intentions — the most solid and refined states of concentration — waver and change. Realizing this induces a sense of disenchantment with and dispassion for all intentions. You see that the only way to get beyond this changeability is to allow all intentions to cease. You watch as everything is relinquished, including the path. What’s left is unconditioned: the deathless. Your desire to explore the breath has taken you beyond desiring, beyond the breath, all the way to nirvana.
The practice doesn’t save all its pleasures for the end. It takes the daunting prospect of reaching full Awakening and breaks it down into manageable interim goals — a series of intriguing challenges that, as you meet them, allow you to see progress in your practice. This in and of itself makes the practice interesting and a source of joy.
At the same time, you’re not engaged in busywork. You’re developing a sensitivity to cause and effect that helps make body and mind transparent. Only when they’re fully transparent can you let them go. In experiencing the full body of the breath in meditation, you’re sensitizing yourself to the area of your awareness where the deathless — when you’re acute enough to see it — will appear.
So even though the path requires effort, it’s an effort that keeps opening up new possibilities for happiness and wellbeing in the present moment.
And even though the steps of breath meditation eventually lead to a sense of disenchantment and dispassion, they don’t do so in a joyless way. The Buddha never asks anyone to adopt a world-negating — or world-affirming, for that matter — frame of mind. Instead, he asks for a “world-exploring” attitude, in which you use the inner world of full-body breathing as a laboratory for exploring the harmless and clear-minded pleasures the world as a whole can provide. You learn skills to calm the body, to develop feelings of refreshment, fullness, and ease. You learn how to calm the mind, to steady it, gladden it, and release it from its burdens.
Only when you run up against the limits of these skills are you ready to drop them, to explore what greater potential for happiness there may be. In this way, dis-enchantment develops not from a narrow or pessimistic attitude but from an gradually expanding experience of something greater. One doesn’t mature by shrinking from the world, watching it passively, or demanding that it entertain you—but by exploring it.
One thought on “Joy of Exploring Breath | 4 . 23 . 19”
Reblogged this on dreamweaver333.